» » 三上寛 - このレコードを盗め

三上寛 - このレコードを盗め

三上寛 - このレコードを盗め
Singer:
三上寛
Album:
このレコードを盗め
Released:
1999
Country:
Japan
FLAC vers. size:
1600 mb
MP3 vers. size:
1216 mb
WMA vers. size:
1197 mb
Other formats
AIFF VQF AHX MPC RA DXD MMF
Rating:
4.2 ★
Votes:
241

Tracklist Hide Credits

1 オートバイの失恋 3:29
2 Bang! 2:50
3
Lyrics By – 岡部耕大*Lyrics By [Additional] – 三上寛*
6:10
4 夢は夜開く・あしたのジョーなんかきらいだ
Music By [夢は夜開く] – 曽根幸明*
9:51
5 なかなか・なんてひどい唄なんだ
Arranged By – 近田春夫*
5:18
6 三上工務店が歩く 3:24
7 パンティストッキングのような空 5:16
8 ひびけ電気釜 5:21
9 最後の最後の最後のサンバ 4:32
10 なかなか
Performer, Arranged By – ウシャコダ*
3:46
11 大感情
Backing Vocals – 井上陽水*Performer, Backing Vocals, Arranged By – 小室等*
4:46
12 函館に行ったことがない・子供が生まれたら二人で訪ねていかないか
Lyrics By – 湯川れい子*Music By – 井上大輔*
4:41
13 俺のラヴ・ソング
Lyrics By – 湯川れい子*Music By – 井上大輔*
4:11
14 典子は今・愛のテーマ 4:22
15 典子は今・愛のテーマ[マンドリン]
Mandolin – 辻典子*
2:25
16 典子は今・愛のテーマ[ラスト・テーマ]
Vocals – 辻典子*
4:31

Credits

  • Arranged By – 井上鑑* (tracks: 1, 2, 8, 9), 大村雅朗* (tracks: 4, 12), 佐久間正英* (tracks: 3, 6, 7)
  • Engineer – 剣持幸三*, 伊藤猛* (tracks: 1 to 9)
  • Lyrics By – 三上寛* (tracks: 1, 2, 4 to 11), 松山善三* (tracks: 14 to 16)
  • Music By – 三上寛* (tracks: 1 to 3, 5 to 11)
  • Music By, Arranged By – 森岡賢一郎* (tracks: 14 to 16)
  • Producer – 桑原純一* (tracks: 1 to 9), 芥川澄夫* (tracks: 1 to 9)

Notes

Tracks 1 to 9 originally released on LP on Toshiba-Express (ETP-90198). Recorded August and September 1982.
Tracks 10 and 11 released in July 1980 as ETP-17018.
Tracks 12 and 13 released in July 1982 as ETP-17372.
Tracks 14 to 16 taken from the soundtrack to the film "Noriko wa, ima". 14 and 15 released in 1981 as ETP-90116.

Tracks to 10 to 16 are bonus tracks.

Other versions

Category Artist Title (Format) Label Category Country Year
ETP-90198 三上寛* このレコードを盗め!!初 三上寛ベスト・アルバム ‎(LP, Album) Express ETP-90198 Japan 1982
TOCT-26708 三上寛* このレコードを盗め ‎(CD, Album, Ltd, RE, RM, Pap) Express TOCT-26708 Japan 2008

三上寛 - このレコードを盗め - free download

  • Ice_One_Guys
One of the two famously criminal records that Mikami recorded for Toshiba in the early 80s. At the fag-end of his professional career, he took to re-recording some of his best songs, stripping out their emotional truths and substituting sickly sentimentality, and the clunkiest of saccharine arrangements. Of the extra material, the tracks by Reiko Yukawa are dreadful synth pop outings with a horrifying mismatch between Kan's voice and the instrumental backing, and the material from the 'Noriko wa ima' just oozes false sentimentality. In comparison, the re-recording of 'Daikanjo' with Hitoshi Kumuro & Yosui Inoue stands up *just* slightly better. But still, this is very much the nadir of Mikami's recorded output.